Súgán
Birth & evolution

The first steps in the birth of Súgán as a group go back to the early nineties, when, in a sporadic way, various musicians got together to form jam sessions in pubs in the Greater Bilbao area. Those regular musical get-togethers were to draw together more friends each time and create, little by little, the feeling of a group by which, the sessions were passed over for serious rehearsals
Not much later on, their first live concerts were to come along and with them the need to pick a name for the group. And so it was, the name Súgán was to be adopted form the Irish-Gaelic word meaning rush or twine rope, a material used in traditional craft work that covered the chairs in the place that saw the birth of the group.

Súgán’s sound is a combination of voices, acoustic guitar, bass, drums, fiddle, flutes and Galician bagpipes. The group’s style and sound has evolved from an initial period when the instrumentation was characterised by an absolute predominance of melodical acoustic instruments and a set exclusively centred in the traditional style. However, the later introduction of drums and electric bass meant a radical change in the groups concept of style and sound and opened up new creative possibilities.
The more known the group became, the wider the area of concerts they gave: Castro-Urdiales, Elorrio, Eibar, Arrasate...Súgán have performed extensively but there is one gig or a series of them that is worth mentioning- the celebration of St. Patrick’s day.

The feast of the patron Saint of Ireland is usually, for lovers of folk, a good enough excuse to get together and have a whale of a time enjoying this type of music. It should be pointed out that the group had its first concert on that date in 1993. On the first celebration held in Bilbao of St. Patrick’s Day. Since then, the group has been indisputably linked to this event and has been in great demand on all occasions to liven up the celebration, always with great capacity audiences and exciting atmosphere.

A lot of water has passed under the bridge since the group’s first concert, that St. Patrick’s Day of 1993, Folk festivals of Getxo (Vizcaya), Castro-Urdiales (Cantabria), Guitiriz (Galicia) The Big Week (Bilbao) (Supporting group to Four Men and a Dog), and lots of concerts in the fiestas of different municipalities and concert halls (Kafe-antzokia, Bilbao-rock .etc.) as well as a long list of concerts in small clubs. All of this has meant a wide range of possibilities to make themselves known.
 


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