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The town of Kirkwall (from Norse: Kirkiuvágr, the water near the kirk) is dominated by the noble cathedral of St. Magnus founded by Earl Rögnvald in 1137. W. Douglas Simpson has vividly evoked the impact on the small community of the building of the cathedral in the twelfth century:
"Let us picture in our minds the concouse of highly skilled imported
craftsmen who must have settled down among the dry-stone and turf-roofed
huts of the local inhabitants. There would be the skilled masons and imagers,
the carpenters and plasterers, the glaziers and the tilers and the painters,
the workers in metal, the jewellers and ena-
mellers and the makers
or merchants of rich and costly vestments and altarcloths.
The advent of all these craftsmen-artists, and of the swarm of purveyors who supplied their needs, must have involved a social revolution in twelfth century Kirkwall. And into the midst of this hive of creative, artistic activity comes the great building Bishop himself with his court - the ordainer and deviser, under his noble patron, of the whole vast enterprise, transferring to the immediate neighbourhood of the rising cathedral his own episcopal residence from the outlying station of Birsay"
The bishop in question was William the Old (1102-68) and it has been suggested that the earliest part of the Bishop's Palace was his episcopal residence. The Bishop's Palace and the adjacent Earl's Palace are nowadays in state care.
The main rectangular block of the Bishop's Palace forms what is known as a hall-house, comprising a series of cellars, above which the major apartment or hall was built; only the lowest portion survives and we can only conjecture the arrangement and furnishings of the hall itself in which the Norwegian King Hakon died in 1263 after defeat at the Battle of Largs, but it may well have been a sombrely splendid residence.
In the second period of building, Bishop Reid (1541-58) reconstructed and heightened the main block and built the round tower at the north-western angle.The three buttresses of the west wall appear to be later addition. Simpson has suggested that the final reconstruction was carried out about 1600 by Earl Pattick Stewart, who made it into a detached part of his own palace and may even have housed in it some of the 50 musketeers he is said to have retained.
The visitor should try in his
imagination to reinstate in the rather gaunt interior of the palace the
timber floors of the upper levels, reached by the spiral staircase in the
tower, and the attendant bustle and colour of the earl's court.
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