Sarah Michelle
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VITAL
STATS:
Sarah Michelle Gellar
Born: April 14, 1977 in New York, NY
Education: LaGuardia High School for the Performing
Arts & The Professional Children's School
Family: Rosellen Gellar (mother) divorced in 1984
BIOGRAPHY:
PEOPLE expect an awful lot from a female role model
these days. It's not enough for a woman protagonist
to be beautiful, intelligent, witty, and in
possession of a trendsetting wardrobeshe's also
got to kick some serious ass. And if the popularity
of Buffy the Vampire Slayer's Sarah Michelle Gellar
is any indication, the pinnacle of feminist
empowerment in the nineties is kicking some serious
supernatural ass. Gellar's butt-whupping derring-do
on the series is that much more realistic because she
actually has a brown beltof the Tae Kwon Do
variety. Her bantam-weight Xena for the Courtney Love
set has in short order become a nineties-style
archetype of young female self-possession and
heroism.
An only child raised on New York's Upper East Side by
a divorced schoolteacher mother, Gellar (pronounced
Gell-are) was a natural-born ham. At the tender age
of three-and-a-half she was spotted by an agent while
dining at a restaurant with her mother. Within a
matter of weeks, she had landed her first sizeable
role, playing Valerie Harper's daughter in the 1983
TV movie An Invasion of Privacy. Four wasn't too
young for the precocious tot to experience some of
the more unpleasant realities of the biz. Her first
commercial, in which she acted as a pint-sized Burger
King shill who chides McDonalds for serving such
skimpy patties, resulted in a now-famous
disparagement lawsuit against her employers dubbed
"The Battle of the Burgers." (The case was
eventually settled out of court in 1982.) Luckily,
her involvement in the beefy contretemps didn't break
her short stride in the slightest. Subsequent
appearances in some one hundred commercials filmed
over the ensuing years brought in healthy residuals,
and a handful of larger rolesin the features
Over the Brooklyn Bridge (1984), Funny Farm (1988),
and High Stakes (1989); in the TV series Spenser: For
Hire (1986); and in a Circle in the Square production
of Horton Foote's The Widow Clairehoned her
thespian's skills. In order to better balance her
need to acquire an education with the demands of her
budding career, Gellar attended New York's famous
Professional Children's High School; she somehow also
found time to excel as a competitive figure skater.
At fourteen, Gellar won her first stand-out role, a
portrayal of young Jacqueline Bouvier in the 1991 NBC
miniseries A Woman Named Jackie. The following year
found her in the lead role of the syndicated series
Swan's Crossing, and in a promising part in the Neil
Simon Broadway hopeful Jake's Women (the production
never made it to the Great White Way). The year 1993
delivered up Gellar's first solid, adult role, that
of Erica Kane's long-lost, twenty-two-year-old
bad-seed daughter, Kendall Hart, on the daytime drama
All My Children. Playing the scheming offspring of
soap operadom's most notorious schemer gave Gellar
opportunities to visit all manner of atrocities upon
the unsuspecting denizens of Pine Valley: she used
her devious wiles to attempt the seduction of her
stepfather; she masterminded the breakup of one of
her mother's numerous marriages; she faked a
pregnancy; she shot people; she attempted suicide;
she fell into a coma. Her first-rate villainy was
rewarded in 1994 with an Emmy for Outstanding Younger
Actress. Gellar departed the soap shortly after
snagging the coveted award, and headed for the
greener pastures of California to pursue work in
television and film. (There was some speculation that
her decision to abandon All My Children was prompted
to some degree by her difficult working relationship
with Erica Kane's portrayer, Susan Lucci, who,
incidentally, has failed to win the Emmy any of the
18 times she has been nominated.)
In 1996, the bombshell soap vet was chosen to play
the title role of the action-packed splatter series
Buffy the Vampire Slayer, a mid-season replacement
based on creator Joss Whedon's script for the
moderately popular 1992 feature of the same title
that starred Kristy Swanson and Luke Perry. (No
stranger to the action genre, Whedon has also written
or co-written scripts for Speed, Waterworld, Toy
Story, Twister, and, more recently, Alien
Resurrection.) The series positions the
twenty-year-old Gellar as a not-so-typical
sixteen-year-old who is compelled by destiny to act
as this century's one and only "slayer." In
this unenviable capacity, she must use her
considerable supernatural endowments to rid the
streets of her "one-Starbucks town,"
Sunnydale, California, of any undead nasties who
emerge at night from the portal to hell located
rather inconveniently beneath her high school. As if
that weren't enough, Buffy must simultaneously endure
the typical suburbanite teen's no-less horrifying
adolescent traumasby day, she's a
clique-skewering wit, by night, a scantily clad,
high-kicking, stake-wielding, vampire-slaying badass.
In its second season, Buffy reigned as the
highest-ranking offering from the WB, and achieved
cult-favorite status in a surprisingly short span of
time; as for its star, she has commanded uniformly
favorable critical attention for her deft physicality
and comic flair. The show's popularity has had the
attendant benefit of expanding Gellar's big-screen
options. The petite ingenue, who has been in front of
cameras for over sixteen of her twenty-one years,
appeared in two 1997 thrillers: she played a
small-town beauty queen with a damning secret in I
Know What You Did Last Summer, co-starring alongside
Ryan Phillippe, Freddie Prinze, Jr., and Jennifer
Love Hewitt; and she played a sorority girl who meets
a grisly demise in the sequel to Wes Craven's
phenomenally popular 1996 horror flick Scream.