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The Perfect Storm
United States, 2000 UK Release Date: August 2000 (wide) Running Length: 2:08 BBFC Classification: 15 (Swearing) Theatrical Aspect Ratio: 2.35:1
Cast: George Clooney, Mark Wahlberg, Diane Lane, William Fichtner, Mary Elizabeth Mastrantonio, John C Reilly, Allen Payne, John Hawkes, Michael Ironside After the lamentable Die Hard clone Air Force One, German director Wolfgang Petersen has made a fine return to form with this fact-based thriller. The man behind classics such as Das Boot and In the Line of Fire has found his feet again and his casting choices are as good as ever. George Clooney and Mark Wahlberg are back together a few months after making the impressive Three Kings and here they give fine performances as the impoverished fisherman who go farther than they should to, er, bring home the bacon, and in so doing head into the storm of the century.
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Three years ago, Sebastian Junger published the book which inspired the movie, a thriller which went to number one in the best-seller charts and left Hollywood moneymen falling over themselves to turn it into big screen magic. It centres on the six-man crew of the swordfishing craft Andrea Gail- captain Billy Tyne (Clooney). Bobby Shatford (Wahlberg), Dale Murphy (Magnolia's John C Reilly), David Sullivan (Go's William Fichtner), Bugsy Moran (John Hawkes) and Alfred Pierre (Allen Payne). As the movie opens, they have returned home with a dire haul, so Tyne decides to take the ship out one more time, far beyond the usual fishing grounds, the Grand Banks, to the Flemish Cap, an almost fabled place off most North American fishing charts. Many of the crew are not happy but cash has a funny habit of changing peoples' minds. Inevitably, they catch their fair share of fish but with the eponymous squall brewing, this is a disaster just waiting to happen.
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If you've not read the book then I won't spoil the ending. Suffice to say, this is not the formulaic thriller you might expect. The movie does go down a certain, well-worn road and cliches are rife - as with any character awaking from a nightmare, (in this case Wahlberg's on-screen lover, Diane Lane), she sits bolt upright. Why don't people just open their eyes and go back to sleep? As with Jaws, the radio has to be wrecked at some point and you aren't too shocked when it does happen. There's also a headstrong captain (in the form of Clooney) and an official (Mary Elizabeth Mastrantonio) who tries to talk him out of a suicidal course of action. However, Petersen manages to avoid many of the yawnsome cliches and delivers one of the year's most exciting and intelligent offerings.
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The perfect movie? No, not quite but a very good one all the same.
© 2000 Roger Crow
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