GAMERA
MOVIE REVEIWS


GAMERA THE INVINCIBLE
1965 World Entertainment/ Daiei
Producer: Yonejiro Saito
Directors: Masaichi Nagata, Sandy Howard (US Version)
Screenwriters: Fumi Takahashi, Richard Kraft
Originally Released As: Daikaiju Gamera
Also Released As: Gammera the Invincible

???:

Gamera, an unlikely movie star, was created in Japan to rival Godzilla.
As in the first Godzilla film, new American footage was added here and
the story severely altered. An atomic bomb unleashes a giant
fire-breathing prehistoric turtle that flies by pulling into its shell
and spinning. Albert Dekker (as the U.S. Secretary of Defense) and Brian
Donlevy (as a general) confer with Japanese scientists to decide how to
avert worldwide destruction. Earth is saved by using the ingenious "Plan
Z" (Gamera is trapped in a rocket and sent to Mars). The superturtle
caught on (in Japan, anyway). So far there have been eight Gamera
adventures. Like Godzilla, the crushing monster became a friendly hero
in later films.
 

The Motion Picture Guide:

First in the long-running series about Gamera, who ranks right up there
with Godzilla and Mothra in the Japanese monster hall of fame. Gamera is
a gigantic, fire-spitting turtle created in the aftermath of an atomic
bomb explosion. He flies by pulling his tail and spinning (sort of like
an outboard motor), and goes around destroying city after city. An
international assemblage of governmental and military heads collaborate
and conceive of Plan Z to thwart this rampaging creature. The turtle is
caught in a rocket and fired off to Mars. Perhaps they should have
smuggled the sequel scripts aboard.
 

WAR OF THE MONSTERS
1966 Daiei/AIP-TV (Japan)
Producer: Masaichi Nagata
Director: Shigeo Tanaka
Screenwriter: Nizo Takahashi
Originally Released As: Gamera tai Barugon
 

Motion Picture Guide:

The rocket that sent everyone's favorite spinning turtle, Gamera, into
space in GAMERA, THE INVINCIBLE has been hit by a meteor (a likely
story), sending the nasty critter tumbling back to earth. An added
option has been installed this time- a jet-propulsion exhaust system
which allows him to zip about even faster than before. He's pitted
against the horn-spiked 130-foot lizard Barugon, whose field of energy
(a deadly rainbow which melts whatever it touches) draws Gamera near.
Tokyo and Osaka are smashed into smithereens in the process. Gamera
tosses the lizard into Lake Biwa to rid the East of his awful presence,
turning the lake blue (the color of his blood). Yuasa, whose fine
special effects are the highlight, was rewarded with the opportunity to
direct the remainder of the GAMERA series. Good Saturday morning
hangover material.
 

Videohound:

The monstrous turtle returns to Earth from his outer
space prison, now equipped with his famous leg-jets. He soon wishes he
had stayed airborne, however, when he is forced to do battle with 130
foot lizard Barugon and his rainbow melting ray. Tokyo and Osaka get
melted in the process.

 

RETURN OF THE GIANT MONSTERS
1967 Daiei/AIP-TV (Japan)
Producer: Hidemasa Nagata
Direcotr: Noriaki Yuasa
Screenwriter: Fumi Takahashi
Originally Released As: Gamera tai Gyaos
 

Motion Picture Guide:

Gamera's third outing has him completing the transformation from a nasty
turtle which snapped at kids to a friendly old thing, much to the
pleasure of Daiei Studios, competing with Godzilla for a share of the
market. Gaos is the protaganist this time around- a scaly flying fox of
sorts who shoots fire-extinguishing smoke from its chest. He's not too
fond of the moppets either, which means Gamera is pretty busy saving the
little buggers. Gamera's no dummy though as he outfoxes Gaos by getting
him to fly too close to the sun. An Icarus complex?
 

Revenge of John Stanley's Creature Feature Guide:

Japanese monster movie with
plenty of snap--its main protagonist being a giant turtle who comes out
of hls shell when Gyaos, a winged monstrosity that fires laser bolts
through its mouth, attacks Earth without pity. Kazufumi Fujii's special
effects include mandatory earthquakes and spewing lava just in case the
towering titans bore you with their routine destruction. Actually the
effects are good... but you must have appreciation for these Oriental
slam-bang affairs to sit through to the bitter end.

 

ATTACK OF THE MONSTERS
1969 Daiei/AIP-TV (Japan)
Producer: Hidemasa Nagata
Director: Noriaki Yuasa
Screenwriter: Fumi Takahashi
Originally Released As: Gamera Tai Guiron

???:

An alien spaceship kidnaps two Earth boys. Gamera, the friendly giant
turtle, races to a world on the other side of the sun to save them from
the clutches of alien women who eat brains. He also battles Guiron, a
ridiculous giant monster with a head shaped like a knife. The fifth
Gamera movie.

Motion Picture Guide:

Gamera's nemesis is now Guiron, a spear-headed monster who lives on the
other side of the sun (luckily for the busy construction workers of
Tokyo and Osaka). Gamera tucks in his head and arms and does his
spinning-turtle routine to make the trip. Once there, he saves a couple
of kiddies (Yeah, Gamera!) from two gorgeous but evil native women who
eat brains. Sure it's getting routine, but what do you want from a giant
superturtle- art?
 

316 Gamera vs. Zigra
Alternate Titles: Gamera Tai Shinkai Kaiju Jigura (Original Japanese)
 

Motion Picture Guide:

Gamera meets one heck of a challenge in this, his 7th film, as he
battles the people of Zigran. Led by a powerful female alien who can
cause earthquakes, the Zigrans have come to Earth to take over our
friendly planet before we ruin it with our own careless pollution. When
Gamera objects, he is promptly extinguished. He sinks to the bottom of
the sea- dead, but not without hope. Japan's loving kids act in
everyone's interest and revive the big turtle by sending a powerful
electric current through his shell. He wakes up, kills the Zigrans, and
flies off into the sunset (sort of). In one sense this picture is worse
than the others- no longer are the monsters all powerful, they have
merely been reduced to playing-pieces for more powerful humans. But, in
a positive sense, these monster pictures have taken up a social context
by which they address the issue of our own self-induced destruction and
not that of a killer monster. Director Yuasa, by this time, had become
the second most prolific director of monster films trailing Inoshiro
Honda who had directed the Godzilla films for Toho Studios.
 

Videohound:

Gamera the flying turtle chose an ecological theme for
this, his final movie. It seems that the alien Zigrans have come to
Earth to wrest the planet from the hands of the pollutive humans who
have nearly destroyed it. The aliens kill the staunch turtle, but the
love and prayers of children revive him that he may defend Earth once
more.